I like the simplicity of the non-comments, non-follower count concept. Just plain good images. A great little app that help cleanse my visual clutter, once a day. I find it more pleasing than Instagram most of the time. It is designed with the avid image lover in mind rather than the social networker.
I am summerandjune. Below is the beginning of my grid.
Last week I went to a fellow photography-obsessed friend's apartment, someone I've met in class back in November. As I reached out for the stack of coffee table books and magazines, one in particular landed in my shuffling hands. It was a stunning large gallery book presenting the work of British photographer Richard Learoyd and his series Presences.
Learoyd works with one of the most antique of photographic processes: the camera obscura. The light falling on the subject is directly focused onto a sheet-size photographic paper without an interposing film negative. With very little loss of definition (due to a room sized camera) his portraits drag the viewer into a tangible dimension of ultra-realistic presence. This goes without noting the incredible dynamic in tonal range and colors.
I have rarely felt so smitten by someone's work. I have yet to see his work in its actual size.
Photography © Richard Learoyd
Super nice piece written about my work this week by Victoria Smith on the notorious SF Girl by Bay interior design blog. A very sweet compilation of my best interiors featured here on Petits Papiers.
Check it out if you haven't already!
Photography © Anne-Claire Rohé 2014
Happy weekend everyone! Will be in touch soon (a bit busy this month!)
A couple of months ago I shot the edgy and clean jewelry line Cite luxen's new look book.
It was such a great project, a team work that was a perfect fit. Thank you Kim Johnson for your vision and collaboration.
You will all be able to shop here soon.
Photographs © Anne-Claire Rohé 2013
Model: Dani Witt from Next
Makeup: Aya Ogasawara
Hair: Eiko Narukawa
Styling: Kim Johnson
I rarely shoot Men. Not by choice, but because I just don't get contacted to work with men that much. So when Shawn contacted me for a portrait session I was thrilled. Shawn is a jazz drummer and I immediately had in mind to use a dark, dramatic style for him. Something classic that he will be able to use years down the road.
His new album with his band Shawn Baltazor Quarted is soon to be released.
I am days away from taking the road. Me and a friend are going to drive from Colorado to Nevada in a few days. ***Due to extreme weather conditions in New York, our trip had to be cancelled. I can't even find words to tell you my disappointment. Sigh***. A project that could not have been better timed, right at the peak of this rude winter. I feel that the new year is already gearing up toward thrilling projects. I have been yearning to explore unknown lands, and this part of the country is definitely going to be a first for me.
On that travel note, I wanted to share some really inspiring photographs by French photographer Céline Clanet. They were excerpted from her published books Máze and Un mince vernis de réalité.
Photographs © Céline Clanet
This week, the world of photography lost a great talent. Born British, Kate Barry found a way of life in Paris. She was often refered to as Jane Birkin's "eldest daughter". She always seemed to want to stay away from the spotlights turned onto her family most of her life, one of France's most photographed by the media. She remained discreet and unlike her sisters chose to channel her creativity behind the lens. I have a profound admiration for her sensibility, her path and her humility.
She was what most people call a 'late bloomer' finding photography in her early thirties. Rawness and the absence of artifacts was the chore of her work. All she needed was her talent to expel natural emotions out of her subjects. You could often sense melancholia or an aching mind in her photography. People who knew her say that she often found happiness in silence and solitude. She had the career and body of work I only dream of having.
She was a true inspration.
She chose to go alone. She was 46 years old.
May her tender soul rest in peace.
She leaves behind an archive of stunning images that graced countless magazines for almost two decades.
Photography ©kate Barry
Mes hommages à la photographe Kate Barry qui s'en est allée un sombre jour de Décembre, à Paris. C'était une femme de grande sensibilité, une personalité discrète, qui aimait rester derrière le rideau, dans l'ombre de sa famille. J'ai toujours eu beaucoup d'admiration pour son travail, son oeil atypique, son regard melancholique et son talent de portraitiste.
Elle reste une grande source d'inspiration pour moi.
Elle avait 46 ans.
I am so happy I found out about this great talent last month at the Photoville festival. Jason's work is always tipping half way between Journalism and Fine Art. Stunning pictural photography that speaks the truth. One of the most difficult kind to achieve in my book. His eye is not a morbid one (unlike a lot of war photography we see these days). It is rather poetic and somehow hypnotic.
I've always profoundly admired photo-journalists for their ability to tell so many stories within one image and make me feel so humble about what I actually know about the world.
Eprise par le travail magnifique du photographe et journaliste Jason Florio. Ses images sont des tableaux qui relatent des histoires sans fin dans notre imaginaire de non-voyageurs. Quel travail majestueux, quelle liberté qu'il nous offre à travers ses images qui pourtant relatent d'une réalite souvent dûre à regarder en face. Mais son regard n'est pas morbide (comme souvent chez les photo-reporters) mais plutôt poétique, parfois même hypnotique.
Lately on Instagram.
I can't even make sense of my own life to be truthful.
Hope everyone is having a nice Autumn!
☆ summerandjune ☆
This year has been without a doubt driven by the desire to sharpen my craft. I think you can never consider yourself as done with the learning process, photography is just so complex and wide open. I had promised myself I would take a class of some sort before the end of the year, just to keep my creative juices flowing and learn from other professionals with different experiences and horizons. I ended up signing up for an advanced studio lighting class at the ICP. Below are some study material produced these past few weeks.
Challenging, exciting, frustrating, daunting and humbling are words that come to my mind when describing the process of the class. And I am not even half way into it yet.
Below: The exercise was to reproduce a famous shot form the movie In the mood for Love by Kar Wai Wong.
Photographs © Anne-Claire Rohé 2013
A couple of weeks ago in DUMBO, Brooklyn.
For details about the festival, click here.
Photographs © Anne-Claire rohé 2013
When we entered the cour intérieure of Monique's traditional 1800's building I knew immediately the space behind the front door was to be spectacular. Monique lives with her husband Régis and their teen son Martin. Their home has been featured numerous times in décor magazines for it's distinctive modern class. Not long after they purchased the space they decided to hire a team of professional designers and everything fell naturally into place around the art collection and the fine furniture. The herringbone floors made me personally swoon. If these floors were not an original feature, they surely were a perfect replica of Parisian's Haussmanian apartments. I love how the sun was playing and shaping the rooms with new angles that afternoon.
I want to thank Monique for her trust and patience as it took me long hours to navigate the entire space. She is also such a supportive believer in my work.
Merci Monique et Régis.
Interview available in French and English below.
All photographs © Anne-Claire Rohé 2013
Tell us where you live and since when
I live in the center of the city of Strasbourg near the Cathedral, an edifice built in the Middle Ages. We have been living there for five years now.
The Area is really lovely with beautiful shops, effervescent energy of swarming students gathering for lunch and mingling around the cathedral. It's a great composite of humanity.
As for my daily errands, I love that everything is within walking distance. I am 200 meters away from my butcher and the fruit and vegetable market which happens every Wednesdays and Fridays. Such a commodity. I really love it here.
When and how did you decide to hire a designer to decorate your living space?
It was imposed on us immediately after the purchase of our apartment. We wanted the kitchen to be the center of our home and that raised technical problems.
The space was so quirky and odd. The walls were not straight and the floors were all different, old and new. It was necessary to do important work.
After a brief research, I decided to call Benjamin Lestrat, a DPLG architect. He offered to partner with two of his designer friends from V8 designers.
It was their first apartment project, they were very young and we were not so much! But this mix of generations was really interesting in the end because we had to trust each other.
I would not hesitate to work with them again.
You have quite an extensive Art collection. When did you start it and what is your favorite object?
We started about a decade ago. We are not collectors, we just live with Art that we love.
I especially love the work of Alain Delorme.
What lesson(s) have you learned in the process of decorating?
Well, my children have taught me a lot. At each stage of their lives we had to reinvent their living space, which I absolutely enjoyed.
Also, decorating should never be manipulated by emotion I think. Never choose a beautiful piece of furniture at the expense of practicality. It should always have a practical element. Since I always look for both qualities, I end up looking for ever!
What daily gesture defines your lifestyle?
I do not really have a routine, but I need my morning coffee.
A current obsession?
A green spot somewhere in Provence.
You've traveled quite a lot, is there a country or a city that charmed you in particular? somehwere you could see yourself live?
Rome is definitely the perfect city for me, I try to go there every year, It feels like home.
What would you attempt if you knew you could not fail?
Illustration. Even if I fail! I have been actually practicing it diligently for 7 years. I'll admit that I practice it more from Fall to Spring. I have recently installed my desk facing a view on the outside.
Dis-nous ou tu vis et depuis combien de temps
je vis dans le centre de Strasbourg depuis 5 ans, proche de la cathédrale, un monument fort qui date du moyen-âge.
J'aime ce quartier, ses vitrines séduisantes, son mouvement, ses humeurs, son humanité, le fourmillement des lycéens à l'heure du déjeuner qui viennent acheter dans les épiceries alentours leur repas et qui au printemps s'installent tout autour de la cathédrale.
Pour mes courses, je circule à pied, j'aime cette proximité, j'ai mon boucher non loin et un marché de fruits et légumes tous les mercredis et vendredis à 200 mètres.
Quand et comment as-tu décidé de faire appel à un designer pour décorer ton lieu de vie?
Ca s'est imposé tout de suite, après l'achat de notre appartement. On voulait que la cuisine soit au centre et cela posait des problèmes techniques.
Il y avait aussi un grand espace biscornu, les murs n'était pas droits et les sols étaient tous différents, anciens et récents.
Il a donc fallu faire des travaux importants.
Après de courtes recherches, j'ai décidé de faire appel à Benjamin Lestrat, architecte DPLG, il nous a proposé de s'associer avec deux de ses amis designer, les V8 designers.
C'était leur premier projet d'appartement, ils étaient très jeunes et nous beaucoup moins, ce mélange de génération a été vraiment très intéressant, car il a fallu se faire confiance mutuellement.
Aujourd'hui, je n'hésiterai pas à retravailler avec eux.
Tu as une collection d'Art assez étoffée. Quand l'as-tu commencé et quel est ton objet préferé de toute ta collection?
Nous avons commencé il y a une dizaine d'années. Nous ne sommes pas des collectionneurs, nous vivons simplement avec des oeuvres d'art que nous aimons.
J'aime particulièrement le travail d'Alain Delorme.
Quelle est la leçon que tu as le plus retenu dans le processus de décorer?
Mes enfants m'ont beaucoup appris. A chaque étape de leur vie, il a fallu réinventer leur espace de vie, j'adore ça !
Il ne faut jamais se laisser manipuler par l'émotion : ne jamais choisir un beau meuble au détriment du sens pratique.
Comme je tente de faire les deux, il m'arrive très souvent de chercher longtemps.
Quel geste quotidien définit ton style de vie, ta routine?
Je n'ai pas vraiment de routine, mais j'ai besoin de mon café le matin.
L'obsession du moment ?
Un coin de verdure quelque part en Provence.
Tu as beaucoup voyagé, y a-t-il un pays ou une ville qui t'a particulierement charmé dans lequel/ laquelle tu te verrais vivre?
Rome est certainement la ville rêvée pour moi, j'essaie de m'y rendre chaque année, je m'y sens comme chez moi.
Dans quoi te lancerais-tu si tu savais que tu ne pouvais pas échouer?
Dans l'illustration, même si je devais échouer, je m'y exerce en dilettante depuis 7 ans, mais j'avoue que je le pratique bien plus de l'automne jusqu'au printemps.
Je me suis d'ailleurs installée tout récemment un bureau avec vue sur l'extérieur.
During an artist residency in California’s Joshua Tree National Park photographer Daniel Kukla had the brilliant idea to take a mirror with him as he headed to the desert, resulting in this vivid series.
I love the idea of capturing infinity in a frame within a frame, and the dimension of interpretations it embarks us in.
Photographs © Daniel Kukla
A while ago, I was hired to document a Liquor and Spirits convention at the New York Times building. To be frank I felt out of my element on that job. It was a bit of a challenge for me. I don't usually do events and rarely find myself immersed in the corporate world. I was told later by my client that I was not dressed enough for the part.
But there were something special about these images I thought when I got home an opened them up on my computer. They reminded me of my early days as a photo student. Back then I was shooting film and had a more journalistic approach to my subjects. After all, something pretty interesting is happening when you put hundreds of dapper men (and women) together and have them talk about the business of booze.